Another Word for Home

poems by
Steve Roberts

ISBN 13: 978-1-59948-249-1
Cover price: $14

* * * Release date: September 7, 2010. * * *

About the Author / Comments / Samples


About the Author

 

Steve Roberts is the author of a full-length collection of poems, A Space inside a Space, St. Andrews College Press, 1999, and a chapbook, Every September . . ., Tragically Hip Press, 1998. His poems have appeared in Fresh, Aries, Nantahala, The New St. Andrews Review, Pembroke, The Asheville Poetry Review and others. Steve received a BA from UNC-Chapel Hill and a MA from Hollins College, where he received the Hollins College Graduate Fellowship and the Claytor Award for Poetry. His work has been nominated for a Pushcart prize and received an Academy of American Poets prize. He has been awarded the George Mason University Graduate Fellowship and fellowships at the Hambidge Center, the Weymouth Center, and the Virginia Center for the Creative Arts. He was selected by the North Carolina Writer’s Network for the Blumenthal Reader Series. Steve has served as an adjunct professor of English at the University of Richmond, the University of North Carolina at Wilmington, and Cape Fear Community College. A native of Winston-Salem, N. C., living in Wilmington, he has received numerous credits for art department and acting in film and television. Steve was a presenter on the “Art and Healing” panel at the 2009 North Carolina National Alliance for the Mentally Ill (NC-NAMI ) Conference: Creative Hearts, Healing Minds.

 

 


Comments

 

Experiences that sear but do not wither the soul are nigh impossible to find expression for. But in Another Word for Home Steve Roberts has established a voice that does not falsify the cruel circumstances that have commanded these powerful poems to be written. Unabated honesty and fastidious craftsmanship make these lines almost unnerving in their intensities. Strong stuff--and strongly recommended.

--Fred Chappell

 

This book offers a sobering portrait of the negligence, dysfunction, and perpetual anxiety of Roberts' troubled and tragic familial history. The poems' power centers on a dissatisfied, adulterous mother, a father likened to a "machine" fueled by alcohol, and confused children likened to "birds sucked into [his] forced turbine." Even in adulthood, as the siblings grapple with severe illness, the night stars are 'like salt' seemingly sprinkled into those early wounds. These compelling poems, then, are by necessity accessible, candid, and often stark. Don't be put off, however; there is much beauty and scope afforded by Roberts' deep Carolina roots, his lovingly detailed coastal landscapes, and the sensual desires of his "bruised not yet burned-out celestial heart."

--Mark Cox

Read these poems! Surely you'll be moved (as I was) by them. Surely you'll learn (as I have) from their hard-won wisdom. Surely you'll delight (as I have) in their craft, and art.

--Jeanne Larsen


Samples

 

THE UNWAKENED

 

It was my father who spent
An hour every night after dinner
Teaching me the true sound of a word,
One wily syllable at a time. During those one,
Or if my cumbersome tongue wiggled
And waggled well, two-word
Scattergun sessions,
My father would fold me
Into a spoken word's magical wings,
Every pronunciation exacted, another feather.
During a summer family vacation to South Carolina,
He and I rhymed morning to night. The tide
Low, people half-clothed line the sand.
I have gotten lost before on long
Strands of shore taking me
Places I hadn't known were there.

 

BIOLOGY
--for my older sister

 

Poems cast off
Are my snakeskin.

This Christmas, you asked me
To give you some lines,

But none about family.
Leafless trees edge

The highway to our parents' house.
Cows, pigs and horses

Nuzzle alongside each other
While hungry mouths

Burrow into the muddy,
Hoof-stamped barnyard's trough.

May you and I survive
Serenely as the mountains'

Of frozen snowdrifts shed by
A lonesome winter sky.

 

FALLEN SHAPE
--for Barbara

 

Having missed yesterday's sun,
I am in no mood for snow.
Could we have our funeral?
I won't be living anywhere else.
The rasps of cars slicing their jagged procession
Through the valley float up the mountain.
Dead insects cloud the ceiling light.
Last night, after we went to bed,
Resting our separate cells and selves,
The image of my ghost rolled and boiled in the mirror.
But this morning, my left eyelid twitches,
And I refuse to part with you.
Our fallen forms are but lost hunches
Absorbed by God's solid light.

 

VILLON AND HEMINGWAY COMMINGLE

 

The laughing woman's skirt hiked to her waist,
Her broken pipe piss-full drains
A torrential river from her black bush; steams,
Puddles and runs across the subway platform's concrete.
The book held open to the full moon, I piss
Onto the cobblestone alley, Paris
The city big enough to keep me busy. Nod
To a craggy-faced woman's rug-shrouded mass, a knot
Grown from the gray-waved Seine's bank
Bench. A fast twenty francs danced
Out of my pocket, by the time I leave the Café Procope,
Where Fodor's declares Voltaire wrote
God into His less-meddlesome duty,
I feel pretty ratty, weave along spoked avenues
Exploded like stars back to my hotel room's wake-up
Call's repeated and forlorn buzz.

 

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